Through handmade and custom-fabricated hardware, software, and enclosures, the electronic sculptures of Chris Combs respond to themes of surveillance, control, and algorithmic bias–and the viewer, using facial recognition and motion sensing. He works with a wide range of practices to create circuit boards, software, and enclosures for his sculptures, which both embrace and question technology.
Chris's first solo exhibition, Judging Me Judging You, at the DC Arts Center's Nano Gallery explored themes of surveillance and control, and his work Markov Radio was included in a one-day Sound Scene event at the Hirshhorn Museum. He was a photo editor for National Geographic for five years and has photographed autism, the Deepwater Horizon oil spill, and traffic cones. He is a graduate of the Corcoran College of Art + Design.